Open Mind Saturated Brain

Open Mind Saturated Brain

ZEGEMA BEACH RECORDS

Wednesday, 24 May 2017

***RENÉ DESCARTES exclusive interview***

GenresPunk / Rock / Post-Rock / Hardcore / Post-Hardcore / Emo / Emotive Hardcore / Screamo / Emo-violence / Skramz / Noise
Related artistsSeeYouSpaceCowboyThe Shotgun MessageMeryl Streaker and Allmywisheswerethrondownawellandshoulddiethere.
CountrySan Francisco, California USA
Years Active2015-2016
Album: "Demo"
Year: 2016
For fans ofInnards, Deers!, KŸHL, Saetia, Wolves, Sketchbooks, Ogni Giorno, Sleeper Wave, Pepi Rössler, Matsuri and Flowers Tapes To Pens aka PROPER SCREAMO.
Label(s): Structures//Agony Records / Zegema Beach Records
This post's artist is from the March 2017 Mix. This is track #3.
You can download: the new June 2017 Mix#6 here.

A few years back I kept hearing about this band called Flowers Taped To Pens. Apparently they were young and screamy, that's pretty much all I knew. They disbanded right around the time I checked them out and about a year later I saw RENÉ DESCARTES' name pop up on a few message boards citing members of Flowers Taped To Pens. I thoroughly enjoyed the 'Demo' tape and was ecstatic when Connie (vocals) asked me to help release their final, self titled cassette which I received in the mail earlier this week.

The 2016 'Demo' is four songs of loose, screamy hardcore. "You Had Me At 'Noam Chomsky'..." is a 3:30 romp of wailing, loose and shrieky screamo with strong stylistic ties to Innards and Deers! with an intro that is likely the best thing the band ever did. "Dance DanceQueer Revolution" boasts some fantastic guitar work that reminds me of Polina and perhaps even Hot Cross just before the 20-second mark amidst the excellent use of multiple screamers. "Solace//Despair (nothing is concrete) employs very engaging and almost spacey guitars from 1:00 to 1:35 in addition to the vocal insanity that is typical RENÉ DESCARTES. Closer "...Just the Kids Who Built Community" really gets going at 50 seconds with driving guitar work that explodes at 1:05 with the crunchiest, thickest and catchiest instrumental work of the release which is then accentuated with the perfect amount of screeching. At 1:55 the song sounds like it gets a slight remix with lo-fi, bass heavy breakdowns that permeates as much noise as hardcore.

The 2017 release of 'René Descartes' showed a heavier emphasis on spoken, sassy vocals and even more piercing screams, with the instrumentals more or less following the same path as the debut EP. "Those Lives FoundIn That Time" is the essential song from this posthumous cassette that encapsulates everything the band was about at the time of their dissolution. "Subjugation of Physical Validation" is a slow jam with very basic framework and execution, but it holds up well as an interlude between the two heavier tracks. Closer "Repressed LifeLessons" is the most unstable of the three songs, as the first 22 seconds are utter chaos and you know the batshit crazy screaming doesn't stop after that.

Now that RENÉ DESCARTES is dead we have been graced with the birth of SeeYouSpaceCowboy, and for that we can all be thankful. Check out the premiere of their new song here. The following interview excerpt is taken from an upcoming SeeYouSpaceCowboy interview with Connie and will be posted in full next month. 

An Interview with CONNIE SGARBOSSA of RENÉ DESCARTES:

Tell us about your time in Rene Descartes. Do you look back on it fondly?
I do look back fondly on that band, it was really refreshing after being in San Francisco for over a year and not playing in any bands during that time. It was really cool to work with Ethan again and Jay from allmywisheswerethrowndownawellandshoulddiethere, and also meeting Jonathan was really cool and he is a really awesome person.

 Did it dissolve at what may seem like the right time, in hindsight?
Well not really it kinda ended abruptly when our living situation ended and me and Ethan left the Bay Area, we had plans that we didn't really come to fruition because of that and I really wish we had more time to flesh out everything we wanted to do.

What bands would you compare Rene to? What were your influences during that time?
Hmm I am not sure, I asked Ethan to take influence from bands like Matsuri, Adobe Homes, and The Kodan Armada but I am not sure if he listened to me haha. Some sass influence definitely started to creep in there as well towards the end.

When did the band start? What other bands have the members of Rene been in?
The band started sometime around December 2015 and ended like June 2016, so it was really short lived. Well Jay was in AMWWTDAWASDT like i mentioned earlier, me and Ethan were in Flowers Taped To Pens together and I had also played in Meryl Streaker as well, I am completely drawing a blank on the name but Jonathan played in a twinkly indie rockish band before.
________________________________________

DISCOGRAPHY

2016 - Demo cassetteEP (stream/donate/buy here)

2017 - René Descartes cassetteEP (stream/donate/buy here) [order tape here]

________________________________________

(2017) RENÉ DESCARTES - "Those Lives Found In That Time" (from 'René Descartes')

(2017) RENÉ DESCARTES - "Repressed Life Lessons" (from 'René Descartes')

(2016) RENÉ DESCARTES - "You Had Me At ‘Noam Chomsky’..." (from 'Demo')

(2016) RENÉ DESCARTES - "Dance Dance Queer Revolution" (from 'Demo')

________________________________________

RENÉ DESCARTES additional links



Order final cassette release from Zegema BeachRecords OR Structures//Agony Records
________________________________________

Monday, 22 May 2017

***ANODES exclusive interview***

BandANODES
GenresPunk / Rock / Post-Rock / Hardcore / Screamo / Post-Metal
Related artists: Orion Pax, One/Cycle//Occur, Ankou, Iron Hills and Coliver.
CountrySt. Louis, Missouri USA
Years Active2011-present
Song: "Enkindle"
Album: "Cathodes"
Year: 2017
For fans of: Envy, Heaven In Her Arms, Welcome the Plague Year, June Paik, Buried Inside, Dolcim, Corea, Swan of Tuonela, Truman, Love Lost But Not Forgotten, Eyelet, Altar Of Complaints, The Tragedy, City Of Caterpillar, The Black Heart Rebellion and Circle Takes The Square aka PROPER SCREAMO.
Label(s): Static Circuit Records / Pissfork Anticulture / Skeletal Lightning / Middle Man Records / The Ghost Is Clear Records
This post's artist is from the May 2017 Mix. This is track #8.
You can download: the May 2017 Mix#5 right here or get the new June 2017 Mix#6 here.

Review by JESSE MOWERY:

I’m going to just start this off by saying I loooooooove ANODES. Maybe I’m biased because I love them equally as people, but from the first time I saw them on Halloween in 2012, when they were dressed as Adventure Time characters, I immediately became a fan because their music is so good. Super melodic guitars, quiet/loud dynamics, constant harsh vocals, groovy rhythm section, bleak lyrics…. Pretty much everything I want in a band. I guess the best way to describe it is mid era Envy+Love Lost But Not Forgotten. Their sound is pretty consistent, yet each song is unique. Just give their discography a listen, and continue reading to see and interview I did with guitarist/vocalist AJ Hofstetter. 

Exclusive Interview w/AJ Hofstetter
Hey A.J.! Thanks for doing this interview! Anodes has a been around for a bit now, how did you start playing with each other?
Well Casey and I were in Orion Pax together and that project had come to a bit of a standstill so we decided to start another band. We knew Sean because we had been playing shows with his old band Iron Hills and we thought he was a cool guy and asked him to jam with us. While we were trying to get a couple different people to play bass for us it seemed no one wanted to and Katie, who was Sean’s girlfriend at the time, told me we should just let her play. I asked her if she was being serious and she said yes and that was that.

Awesome. You just put out a new 7", it looks gorgeous! Was the writing process for this any different from the past? It seems a bit more consistently heavy and frantic than some of your previous releases to me.
There’s sort of a concept that ties it together with our first ep and the lp that is going to follow it. Our intent was for it to be more abrasive than we have been in the past.

Sweet! I noticed you released this yourselves, and you all and Laika did the same with your split together. Were there any reasons you didn't work with a label?
Well we asked a couple labels if they'd be down to help and there was some interest, but they said it was going to have to wait awhile before they'd do it, and we honestly didn't wanna wait around because it already takes awhile to get records pressed. If I remember correctly both of those releases took a year or more to come out from the first day of recording all the way up to the day the record came out.

Damn, yeah I don't blame you for not wanting to wait any longer than possible. I know that you have been in the "screamo/emotional hardcore/whatever you want to call it" scene for a while now, how did you get into it, and what keeps you driven to keep making music like this?
Well I saw Love Lost But Not Forgotten when I was 19 and I've been kinda hooked ever since. There are so many bands to get lumped into it. So many different styles. I guess I just love how so many bands involved in it stretch the box they are supposed to be fitting in.

How's the scene in St. Louis right now? What are some of your favorite current local bands?
I might be the wrong person to ask about this one. I don't make it out to many shows these days. I recently saw Handsaw for the first time and thought they were awesome.

I gotcha. Are there any plans for Anodes in the near future, like recording or touring?
We have been working on an lp for awhile now that we are hoping to record this year. There's still a lot up in the air with it. There are no plans to tour currently.

Cool, well I can't wait to hear the new stuff. I guess I'll just have to try and come through STL if I want to see you play again 😉 Any last thoughts or anything like that you want to say?
I'm definitely excited to share it with you. Thanks for hitting me up to do this.

________________________________________

DISCOGRAPHY

2012 - Anodes cassette/12"EP (stream/donate/download/buy here)

2014 - Enta split 10" (stream/donate/download/buy here) [buy from ZBR here]
2014 - Altar Of Complaints cover digital single (stream/donate/download/buy here)
2014 - Sordid Ways 6-way split 7"EP (stream/donate/download/buy here) [buy from ZBR here]

2015 - Laika split 12"LP (stream/donate/download/buy here)
2015 - Blacklights 12"LP compilation [contributed "You Make the Bed You Sleep In"] (stream/donate/download/buy here)

2017 - Cathodes 7"EP (stream/donate/download/buy here)

________________________________________

(2017) ANODES - "Doused" (from 'Cathodes')

(2017) ANODES - "Enkindle" (from 'Cathodes')

(2015) ANODES - "Losing" (from 'Laika' split)

(2015) ANODES - "Basic Math" (from 'Laika' split)

(2015) ANODES - "You Make the Bed You Sleep In" (from 'Blacklights')

(2015) ANODES - "The Two That Go Together" live w/Jesse Mowery @Melt

(2015) ANODES - "You Make the Bed You Sleep In" live @Melt

(2015) ANODES - Basic Math - live @ABA Fest

(2015) ANODES - Duplicates - live @ABA Fest

(2014) ANODES - "The Two That Go Together" (from 'Altar Of Complaints' cover)

(2014) ANODES - "The Last Time" (from 'Sordid Ways' split)

(2014) ANODES - "......which one?" (from 'Enta' split)

(2012) ANODES - "Allein" (from 'Anodes')

(2012) ANODES - "Sixteens" (from 'Anodes')

________________________________________

ANODES additional links

________________________________________

Sunday, 21 May 2017

FABLE

BandFABLE
GenresPunk / Hardcore / Emotive Hardcore / Screamo / Skramz / Grind / Metalcore
Related artistsDavid Vandervelde and The Entrance Band.
CountryHolland, Michigan USA
Years Active1998-2001
Song: "Foreshadowing the Reincarnate"
Album: "Mara'akate split"
Year: 2000
For fans ofUsurp Synapse, Kiss The Sky Goodbye, Anger Is Beautiful, Oktober Skyline, Advocate, Crestfallen, Campaign Committee, (early) Curl Up And Die, Harlots, The Sutek Conspiracy, Systral, The State Secedes, Clancy Six, Dispensing Of False Halos, In Loving Memory and Love Lost But Not Forgotten aka PROPER SCREAMO.
Label(s): Takehold Records / Happy Couples Never Last
This post's artist is from the May 2017 Mix. This is track #2.
You can download: the May 2017 Mix#5 right here or get the new June 2017 Mix#6 here.

The only reason I know about FABLE is because I love, absolutely love Mara'akate, so I tracked down all of their original releases back in the mid-2000s and therefore came across this lovely hidden gem. Releasing a 4-song 7" in 1998, the aforementioned split in 2000 and a comp song in 2001 I've found almost nothing online about them.

FABLE's demo is the 'Give Us the Night' 7" resembles Oktober Skyline, Usurp Synapse and very early Curl Up And Die. "Mirrored Memories" mixes grindcore/powerviolence vocals with raw, poison-tipped, metallic riffs that almost ends up sound like The Spirit Of Versailles meets Systral by the end. "Untitled" is an awesome song that ops for an In Loving Memory-esque introduction with distant screams and clean European screamo guitars before the song goes apeshit. There is some additional melody using slow and not-so-subtle guitars at 1:30 and 2:30 which is probably the reason I find that thing song stands out so much. "The Clarity of Blindness" brings the Curl Up And Die sound back to the forefront, especially with the pukey vocals. "Of This Confusion" is similar in approach but has a cool, screamy slowdown emo midsection that sets it apart from the previous track. The 7"EP is decent but pales in comparison to the single song released on that fantastic Mara'akate split 7".

Why do I love "Foreshadowing the Reincarnate" so much? Cuz they figured out their vocals and ditched the puke-scream thing for the most part and adopted a throat-shredding scream not unlike Anger Is Beautiful, Love Lost But Not Forgotten and Dispensing Of False Halos. The poisonous and screamy early 2000s metalcore really lends itself more towards the emo/hardcore and screamo releases of the late 1990s and early 2000s and makes me really bummed that they don't have more material. That being said, FABLE also released a song called "Hank's Return" on a comp cd in 2001 which I have been unable to obtain. I assume this was recorded in the same session as "Foreshadowing the Reincarnate" and is probably really fucking good. If you have this song please share it in the comments for everyone! <3

________________________________________

DISCOGRAPHY
Click )==>here<==( to download the band's (almost) complete discography in mp3 form.

1999 - Give Us the Night 7"EP

2000 - Mara'akate split 7"EP

2001 - A Testament to Broken Walls compilation cd (contributed "Hank's Return") [anybody have this? please upload it!!!]

________________________________________

(2000) FABLE - "Foreshadowing the Reincarnate" (from 'Mara'akate' split)

(1998) FABLE - "Untitled" (from 'Give Us the Night')

(1998) FABLE - "Of This Confusion" (from 'Give Us the Night')

________________________________________

FABLE out of print mp3 discography download

(download here)
________________________________________

Friday, 19 May 2017

MALEVICH

BandMALEVICH
GenresPunk / Hardcore / Metalcore / Noise
Related artistsUnder A Sky So Blue and Nurture.
CountryAtlanta, Georgia USA
Years Active2016?-present
Song: "Represented in Bondage"
Album: "Only the Flies"
Year: 2016
For fans ofUnder A Sky So Blue, Worst Days, Black Nail, .gif from god, Joshua Fit For Battle, Lamantide, Takaru, Loftus, Craneo, Boak, Perth Express, Trainwreck, Assück and Crestfallen aka PROPER SCREAMO.
Label(s): ?
This post's artist is from the May 2017 Mix. This is track #3.
You can download: the May 2017 Mix#5 right here or get the new June 2017 Mix#6 here.

MALEVICH sent me their debut LP in late 2016 and it wasn't until early 2017 that I really got around to listening to it. It's good. It's really fucking good. It's super abrasive metalcore with some of the rawest, fiercest and varied screaming I've heard in some time. They hail from Georgia, which is where Under A Sky So Blue are from. The two bands share a similar sound (and a vocalist!), although MALEVICH ditch most screamo/emo-violence connotations and fall more or less directly into the metalcore category.

Their debut cassette is 10 tracks of intense and focused noise. 'Only the Flies' opens with the stellar "Solus" that lets you know exactly what you are in for. And holy hot damn that closing 20 seconds is phenomenal as the bass jumps to some higher notes while the vocals cross back and forth between wailing screams and gutteral growls. "A Light in the Darkness that Faded as I Approached" reminds me of Loftus and Black Nail at 42 seconds. When listening to the first 40 seconds or so of "Always, Loss", I unintentionally picture a winged bat-like creature reigning fireballs upon a burning city. Yep, it sounds pretty much like that. "Le Tout Bas" strays from the "norm" of the opening three songs and does more than just top two minutes (it's five and a half, actually) as it takes a slow, noisy and doomy turn with restrained notes and vocals that sound like the pits of hell, only to make a surprising left after 3:30 as it ascends out unscathed with beautiful instruments...that are dashed at 4:40 and left dead in the street. "Perennial Self" takes it easy for a little until it refuses to be contained any longer, so by 34 seconds shit goes bananas and by 1:17 there is nothing left but dust. "Drought" is a mere 32 seconds, but it packs one hell of a punch with amazing vocals and a punishing midsection from about 12 to 22 seconds. "Moult" is a slow and brooding number that tops six minutes, but opens with an epic, almost Deafheaven sounding first 30 seconds, followed by another 20 seconds of metallic hardcore that sounds like it's straight outta Germany. "Disassociated" is the perfect balance between the fast, batshit, insane stuff and the slower, darker and epic parts. This makes track 8 one of my favourites and an excellent starting point in case you'd like a mean, median or average...hooray for elementary school math, David. "Represented in Bondage" might be my favourite on this LP, with more amazing vocal work and sinister instrumentals that builds continually and hits home at 52 seconds with blackened hardcore that borders on emo-violence. 'Only the Flies' wraps things up with the very ominous and plodding "Death Will Never Be Enough" that seems to disintegrate by 4:30 but continues on until 6:48.

Wow, what a debut. I need to see this band. So, so good. Be sure to check out the band on their remaining US tour:

May 19th - Allentown, PA - Good Weekend Warehouse w/ Cacciato
May 20th - Pittsburgh Ba Sing Se
May 21st- Toledo, OH - Longhorn Saloon
May 22nd - Columbus, OH - The Summit
May 23rd - Nashville, TN - Blackbird Tattoo w/ Pinion

________________________________________

DISCOGRAPHY

2016 - Only the Flies cassetteLP (stream/donate/download here)

________________________________________

(2016) MALEVICH - "Represented in Bondage" (from 'Only the Flies')

(2016) MALEVICH - "Solus" (from 'Only the Flies')

(2016) MALEVICH - "Disassociated" (from 'Only the Flies')

(2016) MALEVICH - live video


________________________________________

MALEVICH additional links

________________________________________

Tuesday, 16 May 2017

HUNDREDS OF AU

GenresPunk / Hardcore / Post-Hardcore / Emotive Hardcore / Metallic Hardcore / Screamo
Related artistsYou And I, Black KitesCapacitiesWhat Of UsIn First PersonThe AssistantThis Ship Will Sink, NY In 64 and Tasharah.
CountryAlbany, New York USA
Years Active2016-present
Song: "Post Truth Days"
Album: "2017 Demo"
Year: 2017
For fans ofCapacities, What Of Us, In First Person, The Assistant, Tasharah, This Ship Will Sink, Crowning, Forensics, Lentic Waters, Foxmoulder, Remote, NY In 64, Takaru, Mališa Bahat and Virginia On Duty aka PROPER SCREAMO.
Label(s): Middle Man Records
This post's artist is from the May 2017 Mix. This is track #10.
You can download: the May 2017 Mix#5 right here or get the new June 2017 Mix#6 here.

HUNDREDS OF AU (aka HUNDREDS OF ASTROLOGICAL UNITS) dropped their debut EP with absolutely zero warning, and it was awesome. Tom Schlatter posted that he enjoyed the extremely quick turnaround time of releasing digitally with a tape to boot, if necessary, in the future. Quickly following the digital release, Middle Man Records dropped a truly stunning looking cassette. The transparent blue tape with has a slightly darker sticker on it, surrounded by the same dark blue j-card with light blue lettering...it's fucking beautiful.

Oh yeah...the music. The EP smashes heads from the get-go with the unreal and What Of Us/Capacities-esque "Runneth Full", boasting an unstable, thunderous and pummeling 1:44 that ends with amazing back and forth screaming. "Past Due" is a goddamn screamfest for the first 30ish seconds and then chills out NY In 64 style for the remaining two minutes. "Out in the Streets" is pretty straightforward hardcore but has that Tom Schlatter spin that injects screamo blood as well as a deeper, darker, hardcore sound. Track four's "Interlude" is cool and obviously, again, very NY In 64. It's post-hardcore/instru-metal affair that lends itself to some slower and spacier riffs. "Part of the Club" is perhaps the most expansive of the tracks and delves into quite a few nooks and crannies that the band doesn't generally focus on, including some single string guitaring, clean singing and a nice juxtaposition of heavy and soft parts throughout. Closing up shop is, my favourite, "Post Truth Days", the most epic and devastating chunk of hardcore on here. Although it isn't as chaotic as "Runneth Full", the balance and flow of the song creates an extremely engaging listen that pays off in full by 1:05 following a fantastic spoken word midsection of, "Pass it on, pass it on, pass it on!"

So there's that. Killer. EP. And it's super limited to 30 copies, so definitely pick one up. Cannot wait to hear what's up next from these three friends.

________________________________________

DISCOGRAPHY

2017 - Demo cassetteEP (stream/donate/download here) [buy from Middle Man / ZBR]

________________________________________

(2017) HUNDREDS OF AU - "Runneth Full" (from 'Demo')

(2017) HUNDREDS OF AU - "Post Truth Days" (from 'Demo')

(2017) HUNDREDS OF AU - "Part of the Club" (from 'Demo')

(2017) HUNDREDS OF AU - "Past Due" live video

________________________________________

HUNDREDS OF AU additional links

________________________________________

Monday, 15 May 2017

MIRA

BandMIRA
GenresPunk / Post-Rock / Post-Hardcore / Emo / Screamo / Skramz / Ambient
Related artistsManku Kapak.
CountryBremen GERMANY
Years Active2016-present
Song: "Abyssal"
Album: "Mira"
Year: 2017
For fans ofThey Sleep We Live, Eyelet, 124C41+, Nanette, Human Hands, Adolina, KŸHL, Mio, Eyes Of Verotika, Libido Wins and I Hate Sex aka PROPER SCREAMO.
Label(s): Mum Says; Be Polite Rec.
This post's artist is from the May 2017 Mix. This is track #9.
You can download: the May 2017 Mix#5 right here or get the new June 2017 Mix#6 here.

In March of 2017 Nico from the German band MIRA sent me their first EP titled 'Mira' that was released on cd out of 150 and is inspired by 90s emo. It begins with "Trembling", which opens like a track off of Eyelet's 'Nervewracker' LP with some sick dual screaming that is very comparable to They Sleep We Live's short run of material, although the song slows down and focuses on a light, emo crooning that is very German sounding. Next up is the chillest of the songs, as "Among Stars" sounds a lot like I Hate Sex ("This Floating World" in particular) with a slow groove and lots of clean vocals. "Abyssal" is the finale and it's quite possibly the best of the three. With introductory instrumentals that sound a heck of a lot like Saetia, Eyes Of Verotika and Off Minor, "Abyssal" begins its ascent and once those screams are tacked on to the build, woah nelly, In anticlimactic fashion, the song recedes and pulls itself back like a wave before gathering more power on the second swell, which climaxes at 2:27 with more Eyelet and They Sleep We Live-esque screamo that I'm all a-fucking-bout. An excellent debut.

________________________________________

DISCOGRAPHY

2017 - Mira cdEP (stream/donate/download here)

________________________________________

(2017) MIRA - "Abyssal" (from 'Mira')

(2017) MIRA - "Trembling" (from 'Mira')

________________________________________

MIRA additional links

________________________________________

Sunday, 14 May 2017

JOUGH DAWN BAKER

GenresPunk / Hardcore / Emotive Hardcore / Metalcore / Math Metal / Post-Metal / Crust / Sludge
Related artistsHeiress, Born Anchors, Caparza and Man Years.
CountryBellingham, Washington USA
Years Active1996-1999
Song: "Boise Cascade"
Album: "Vade split"
Year: 1999
For fans ofBotch, Llynch, Majority Rule, Lamantide, The Exelar, Deadguy, Enkephalin, Furnace, Nineironspitfire, Angel Hair, His Hero Is Gone, Straight No Chaser, Bleeding Kansas, (early) Baroness, Portraits Of Past, Closure, Mercy Ties, Advocate, Anger Is Beautiful, PG.99, The Minor Times, Lavotchkin, I Am Your Curse, The Setup, Curl Up And Die, Arkata and Groundwork.
Label(s): Henry's Finest Recordings
This post's artist is from the April 2017 Mix. This is track #4.
You can download: the May 2017 Mix#5 right here or get the new June 2017 Mix#6 here.

When I visited Swamp Fest 2016 and met Marilyn Necci for the first time, I bought quite a few fine records from her vintage, personal collection. Among them was the split 12" for Vade and JOUGH DAWN BAKER. I bought it because Vade is most of The Blood Brothers pre-The Blood Brothers. I explained that I loved Vade and couldn't believe she had it, to which she responded, "I don't think I ever listened to that side. I had it for the JOUGH DAWN BAKER side." And now I know why she said that. Taking equal influences from early Botch in the metalcore department and Majority Rule from the emo/screamo crowd, they concocted a violent and scatching metallic/emo hardcore style that is closer to early Botch, Bleeding Kansas and Curl Up And Die than anything else, but definitely provides a unique twist on the formula.

There are four compilation tracks that were released before a self titled 7" and split 12". I think the earliest track we've got here is the 1996 'The Excursion Compilation''s "Bridgework", which is very emo/hardcore and reminds me of Portraits Of Past and Inkwell. In 1997 they released the amazing, violent and very screamo sounding "Muttonfist" on the unreal BotchNineironspitfire and Slowsidedown split' 7" called 'Brewing' as well as a Rage Against The Machine cover of "Freedom" which is titled "Five Twenty Four" aka the track's length. Judging by the sound of what we should aptly name "untitled", I would say it was recorded before or around the same time as the 'Vade split' 12", but with crustier and darker overtones, not unlike old PG.99 and  and newer bands such as Lamantide and I Am Your Curse.

My favourite JOUGH DAWN BAKER release is, by just a narrow margin, the self titled 'Jough Dawn Baker' 7"EP that was released on Henry's Finest Recordings. I find this to be the perfect mix between the older, screamier emo and the metallic and dark hardcore found on the final two releases. Released in 1999, it was soon followed by the 'Vade split' 12" that was the catalyst for this post. The three songs contained on this wax/1000 are fantastic. The evolution to chaotic, dark, mathy and moshy hardcore is exemplified on the phenomenal "Boise Cascade". This thing is epic as fuck and reminds me of the mathy metalcore done in the 2000s by bands such as Llynch, Enkephalin, The Setup and The Minor Times. "Mannequin 2" is so fucking Majority Rule it's crazy, especially the final 30 seconds which could be rounded out by saying it sounds a lot like PG.99, too. "Let Off Some Steam, Bennitt" is still noteworthy as it includes some of the rawest screaming and a repeating breakdown that lowers itself like a circling vulture.

After researching for this post I came across the 2012 "release" of their unfinished LP via the Pungent Sound blog. Only some of the songs have vocals and obviously the thing is not complete, but the 9 songs are really good and showed where the band was headed. I have included it in the complete discography download located here and numerous other places in this post. This 'Unfinished LP', as we shall refer to it as, has the band careening off (gracefully, I should add) into uncharted waters with a fuckton of confidence, all of which is 100% warranted. The instrumental opener "Track 1" brings to mind instru-metal post-hardcore, while the next song sounds as if it was supposed to have some pretty heavy ass vocals and is reminiscent of the split 12" material. "Track 3" is my personal favourite, cuz...goddamn! That spiraling and evil bass riff attracts some additionally awkward guitar wails and blood curdling screams, with the entire thing coming off sounding like a very experimental and brooding Curl Up And Die. Tracks "4, 6, 7 and 9" are also instrumental and I truly wonder how many of them were supposed to be, if any. "Track 5" and "Track 8" also contain vocals, with the latter packing the most punch, as it drips with the darkness of a sludgy, subterranean stream. After another listen this final LP has a ton of Botch influence but considering the timeframe they were almost step for step with the seminal math-metal love of mine.

A forgotten gem? I'd say so.

________________________________________

DISCOGRAPHY
Click )==>here<==( to download the band's complete discography in mp3 form.

1996 - The Excursion Compilation cdLP (contributed "Bridgework")

1997 - Brewing 4-way split 7"EP  (w/Botch, Nineironspitfire and Slowsidedown)
1997 - All About Friends compilation cdLP (contributed "Five Twenty Four")

???? - unknown comp (contributed "untitled/unknown")

1999 - Jough Dawn Baker 7"EP
1999 - Vade split 12"LP

1999? - unfinished/untitled LP

________________________________________

(1999?) JOUGH DAWN BAKER - "3" (from 'unfinished LP')

(1999?) JOUGH DAWN BAKER - "8" (from 'unfinished LP')

(1999) JOUGH DAWN BAKER - "Tap Water Tuesday" (from 'Jough Dawn Baker')

(1999) JOUGH DAWN BAKER - "Spit Shine" (from 'Jough Dawn Baker')

(1999) JOUGH DAWN BAKER - "Boise Cascade" (from 'Vade' split)

(1999) JOUGH DAWN BAKER - "Mannequin 2" (from 'Vade' split)

(1997) JOUGH DAWN BAKER - "Muttonfist" (from 'Brewing' split)

(1997?) JOUGH DAWN BAKER - "untitled" (from '???')

(1997) JOUGH DAWN BAKER - "Five Twenty Four" (from 'All About Friends')

(1996) JOUGH DAWN BAKER - "Bridgework" (from 'The Excursion Compilation')

________________________________________

JOUGH DAWN BAKER out of print mp3 discography download / additional links

________________________________________

Thursday, 11 May 2017

***SOUL GLO show review w/La Luna & Narra***


I pretty much knew going in that this was likely the last time I was going to see La Luna...which just made this entire experience surreal. By the time they get back from tour I'll be on tour and then I pretty much move to New Zealand. I guess this is a bit of a thank you to the band via expedited show review to help with their 40 dates from now until June 20th. Due to putting my son to bed and having to work the next morning, I missed the first band Chris (featuring members of La Luna, Animal Faces, Fond and Creeper) but were told their first live set was very good and sounded like very chill and dreamy post-rock. I also had to jet before Growing Fins even set up but was told on the ride home by my friend Luther that I would likely be a fan of the lively and screamy emo band not unlike I Love Your Lifestyle. The middle three bands are reviewed below the La Luna + Soul Glo video I made.

NARRA
Coming in with Soul Glo from Philly, this five-piece had an interesting dichotomy of soothing and jammy post-hardcore that switches in and out of screamy and abrasive punk, generally on a song-to-song basis. I only got a video of one song and I don't really think it does the band justice, although there is an awesome part at 25 seconds where the drummer does a cathartic 30-second solo while screaming like a caveman. Awesome.
FFO: Pile, Dillinger Four and Slow Mass
Bandcamp

-----------------ooooo∞ooooo-----------------

SOUL GLO
Holy fuck. Ho. Lee. Fuck. That was crazy. I took a video of the Philadelphia quartet's full 18-minute set. Shit was ballistic. I didn't know GG from Weather Lore is in this band so I was super stoked to see him again. Not all that unlike GG's other band, SOUL GLO is the sound of a riot, plain and simple. It's dirty, caustic, loud, abrasive, real, angry, honest and passionate hardcore music. Prepare for a pummeling with this video as well as their next 8 dates with La Luna!
FFO: Weather Lore, Punch and The Encyclopedia Of American Traitors
Bandcamp

-----------------ooooo∞ooooo-----------------

LA LUNA
Kicking ass as always, LA LUNA's rebirth in Toronto has been beautiful to watch and I wish them nothing but the best on their 40-day tour. You'd be fucking stupid not to go see them in your town barring prior engagements, and are also playing most of their dates with amazing bands, such as Soul Glo and Truman. They recently released 'Always Already' on vinyl earlier this year, have a ton of sweet merch and are playing a few new and unrecorded songs on tour so you'll be in for a treat. They are also super chill so you can likely go talk to them. If you see the bassist Alex just tell him that "Botch rules" and you've got a juicy 10-minute conversation on your hands. Have an amazing tour, my friends, and enjoy those cds!
Link to "old song"
FFO: I Hate Sex, Guidelines and Loma Prieta